[et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default” background_image=”https:\/\/rpjam.academy\/wp-content\/uploads\/2020\/05\/audio-engineering.jpg”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.9.4″ _module_preset=”default” use_background_color_gradient=”on” background_color_gradient_start=”#a82a21″ background_color_gradient_end=”#01000f” animation_style=”flip” hover_enabled=”0″ border_radii=”on|8px|8px|8px|8px” box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” sticky_enabled=”0″][et_pb_column type=”1_2″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_accordion _builder_version=”4.9.4″ _module_preset=”default”][et_pb_accordion_item title=”Audio Engineering Module 1″ open=”on” icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||”]<\/p>\n
Physical basics<\/strong><\/p>\n – Symmetry<\/p>\n – Oscillations<\/p>\n – Level calculation<\/p>\n – Mixdown and DAW<\/p>\n – Steinberg Cubase<\/p>\n – Avid Protools<\/p>\n – Mixing philosophies<\/p>\n – Signal Flow<\/p>\n – RPJAM Analog Desk<\/p>\n – Digital consoles – SSL – NEVE<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Audio Engineering Modul 2″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off”]<\/p>\n Control amplifier<\/strong><\/p>\n – Compressor<\/p>\n – Limiter<\/p>\n – Expander<\/p>\n – Gate<\/p>\n – Exciter<\/p>\n Effect units<\/strong><\/p>\n – Reverb<\/p>\n – Delay<\/p>\n – Flangering<\/p>\n – Chorusing<\/p>\n – History of recording<\/p>\n – Classical equipment and consoles<\/p>\n – Tape machines<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Audio Engineering Modul 3″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off”]<\/p>\n Microphones<\/strong><\/p>\n – Microphone construction<\/p>\n – Receiver and transducer principles<\/p>\n – Microphoning and recording practice<\/p>\n – Recording<\/p>\n – Planning<\/p>\n – Monitoring<\/p>\n – Communication<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Audio Engineering Modul 4″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off”]<\/p>\n Stereophonic recording techniques<\/strong><\/p>\n – Multichannel sound<\/p>\n – Level stereophony<\/p>\n – Time-of-flight stereophony<\/p>\n – Aquivalance stereophony<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Audio Engineering Modul 5″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off”]<\/p>\n Acoustics\/Audio Engineering<\/strong><\/p>\n – Mode calculation<\/p>\n – RT60<\/p>\n – Measurements and Construction<\/p>\n – Sound Event Engineering<\/p>\n – Live Mixing<\/p>\n – Stage setup<\/p>\n – Sound reinforcement and monitor systems<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Audio Engineering Modul 6″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” toggle_font=”|700|||||||” open=”off”]<\/p>\n Mastering<\/strong><\/p>\n – Technical mastering<\/p>\n – Artistic mastering<\/p>\n – Steinberg<\/p>\n – Wavelab<\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]<\/p>\n Module 1, 3, 5\u00a0\u00a0\u00a0 Start September 1st<\/strong><\/span><\/p>\n Module 2, 5, 6\u00a0 \u00a0 Start March 1st<\/strong><\/span><\/p>\n All modules are freely selectable and can be attended by you online or in presence.<\/span><\/p>\n \u00a0<\/span><\/p>\n \u00a0Pre-College<\/strong><\/span><\/p>\n You enroll in one of the modules and attend classes at RPJAM for only 6 months. You are free to choose the modules you want to attend. Here you can limit yourself to one module or attend as many modules (also of the other departments) as you like.<\/span><\/p>\n \u00a0<\/span><\/p>\n Main studies<\/strong><\/span><\/p>\n For the main course of studies you must have taken all 6 modules by the time you graduate. The order is variable, depending on when you start in September or March.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Physical basics – Symmetry – Oscillations – Level calculation – Mixdown and DAW – Steinberg Cubase – Avid Protools – Mixing philosophies – Signal Flow – RPJAM Analog Desk – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3295","page","type-page","status-publish","hentry"],"yoast_head":"\n