[et_pb_section fb_built=”1″ _builder_version=”4.9.4″ _module_preset=”default” background_image=”https:\/\/rpjam.academy\/wp-content\/uploads\/2020\/05\/musik_studieren_.jpg”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.9.4″ _module_preset=”default” use_background_color_gradient=”on” background_color_gradient_start=”#a82a21″ background_color_gradient_end=”#01000f” animation_style=”flip” border_radii=”on|8px|8px|8px|8px” box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px”][et_pb_column type=”1_2″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_accordion _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″][et_pb_accordion_item title=”Music Theory Module 1″ open=”on” icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||”]<\/p>\n
Basics<\/strong> [\/et_pb_accordion_item][et_pb_accordion_item title=”Music Theory Module 2″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off” sticky_enabled=”0″]<\/p>\n – Step chords of the major scale as tetrads [\/et_pb_accordion_item][et_pb_accordion_item title=”Music Theory Module 3″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off”]<\/p>\n – Chord options with sus 2 and 4 [\/et_pb_accordion_item][et_pb_accordion_item title=”Music Theory Module 4″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” hover_enabled=”0″ border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off” sticky_enabled=”0″]<\/p>\n Chordal connections<\/strong> [\/et_pb_accordion_item][et_pb_accordion_item title=”Music Theory Module 5″ icon_color=”#E02B20″ _builder_version=”4.9.4″ _module_preset=”default” border_radii=”on|8px|8px|8px|8px” border_color_all=”#E02B20″ box_shadow_style=”preset4″ box_shadow_horizontal=”7px” box_shadow_vertical=”6px” box_shadow_blur=”6px” box_shadow_spread=”1px” toggle_font=”|700|||||||” open=”off”]<\/p>\n – Chromatic scales [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]<\/p>\n Module 1, 3, 5\u00a0\u00a0\u00a0 Start September 1st<\/strong><\/span><\/p>\n Module 2, 5 \u00a0 \u00a0\u00a0 \u00a0 Start March 1st<\/strong><\/span><\/p>\n All modules are freely selectable and can be attended by you online or in presence.<\/span><\/p>\n \u00a0<\/span><\/p>\n \u00a0Pre-College<\/strong><\/span><\/p>\n You enroll in one of the modules and attend classes at RPJAM for only 6 months. You are free to choose the modules you want to attend. Here you can limit yourself to one module or attend as many modules (also of the other departments) as you like.<\/span><\/p>\n \u00a0<\/span><\/p>\n Main studies<\/strong><\/span><\/p>\n For the main study you have to take the modules 1 to 4. Module 5 is optional. The order is variable, depending on when you start in September or March.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Basics- Staff- Transposition signs- keys- Notes and note values in violin and bass clef- rest values- Circle of fifths- Major scale- Step chords as triadscadences- transpose- Step chords of the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3359","page","type-page","status-publish","hentry"],"yoast_head":"\n
– Staff
– Transposition signs
– keys
– Notes and note values in violin and bass clef
– rest values
– Circle of fifths
– Major scale
– Step chords as triads
cadences
– transpose<\/p>\n
– Cadences in Roman numerals
– Introduction slash chords
– natural minor scale
– Pentatonic from the Aeolian scale
– Introduction modal system<\/p>\n
– 4 Chord Song
– Analysis I
– Pentatonic
-Blues scale from the pentatonic scale
– Blues Scheme
– Reharmonization I
– leading tone \/ glide tone, aeolian to harmonic minor<\/p>\n
– II \/ V \/ I. Compounds in major
– Pachebel Canon
– II \/ V \/ I. Compounds in minor
– Slash chords diatonic \/ functional
– Chord options with sus, verm \/ overm, ninth, undecime, tredecime
– Analysis II
– Minor blues
– Reharmonization II<\/p>\n
– harmonic, melodic minor scales
– altered scales
– Cadences with variable key centers
– Jazz analysis<\/p>\n